A television series in the seventies considered by many animation movies experts as the beginnings of the genre provides valuable insight into the exponential growth of anime. The series was supposed to go for 12 months, but after ten, it was almost axed from popular television. However, the developers noticed that there was a small loyal following. Today, the fame of anime is evident when reading such popular reviews such as the Code Geass anime review.
Code Geass begins in 2010, with an evil empire hell bent on conquering the world. The Britannia Empire invades countries across the world and Japan becomes one victim. The Japanese invasion proves easy as the empire uses mobile vehicles. The people of Japan have their sovereignty and dignity stripped away, and their country is renamed area 11.
A peculiar twist of events leads to hope of rescue. A cunning prince, exiled from the Britannia royal family, seeks to bring down the evil empire. Through a twist of events, the prince gets to meet a mystery woman, dressed as a masked terrorist. Through the meeting, the prince gets control of the Geass, with which he can get anyone to do his bidding. With this, his dream seems closer to reality.
With this device, his dream of bringing the empire down seems realistic. On the surface, the story is similar to many animation series before it. One particular close comparison can be made to Valvrave the liberator. The main character rallies the people to a revolution. The revolution is ignited by a special power, and there is an element of the popular speed chess moves used to defeat the enemy.
The characters of Code Geass are one of those most impressive things about it. The developers found ways of adding humorous deliveries by their characters in what was supposed to be a serious subject matter. For instance, the emperor delivers an over the top speech telling everyone how pathetic they are on an international television channel.
One big difference, though, is the nature of the main character. Although a hero, he is not the typical white knight hero. The main character is not a saintly person with good intentions. He seems resigned to using anyone to meet his goals, and normally does not care whether they get hurt or not.
Since the seventies, animation movies have grown and developed. During the past, they were reserved for the geek minority, but geeks are slowly being accepted. Look at the popular geeky storyline movies and series, like the billionaire geek Tony Stark in the Ironman Franchise, or the three academics in the Big Band theory.
But animation movies are much more than that. They provide a valuable insight into Japanese culture and are often so meticulously designed to be attractive to the audience. Adding to the beautiful art are the storylines, which combine a playful genre in cartoons, with the struggles of both teenage and adult themes. Code geass highlights all these aspects perfectly. With animation movies, they try to explore complex themes and then present them in a fun and simple manner.
Code Geass begins in 2010, with an evil empire hell bent on conquering the world. The Britannia Empire invades countries across the world and Japan becomes one victim. The Japanese invasion proves easy as the empire uses mobile vehicles. The people of Japan have their sovereignty and dignity stripped away, and their country is renamed area 11.
A peculiar twist of events leads to hope of rescue. A cunning prince, exiled from the Britannia royal family, seeks to bring down the evil empire. Through a twist of events, the prince gets to meet a mystery woman, dressed as a masked terrorist. Through the meeting, the prince gets control of the Geass, with which he can get anyone to do his bidding. With this, his dream seems closer to reality.
With this device, his dream of bringing the empire down seems realistic. On the surface, the story is similar to many animation series before it. One particular close comparison can be made to Valvrave the liberator. The main character rallies the people to a revolution. The revolution is ignited by a special power, and there is an element of the popular speed chess moves used to defeat the enemy.
The characters of Code Geass are one of those most impressive things about it. The developers found ways of adding humorous deliveries by their characters in what was supposed to be a serious subject matter. For instance, the emperor delivers an over the top speech telling everyone how pathetic they are on an international television channel.
One big difference, though, is the nature of the main character. Although a hero, he is not the typical white knight hero. The main character is not a saintly person with good intentions. He seems resigned to using anyone to meet his goals, and normally does not care whether they get hurt or not.
Since the seventies, animation movies have grown and developed. During the past, they were reserved for the geek minority, but geeks are slowly being accepted. Look at the popular geeky storyline movies and series, like the billionaire geek Tony Stark in the Ironman Franchise, or the three academics in the Big Band theory.
But animation movies are much more than that. They provide a valuable insight into Japanese culture and are often so meticulously designed to be attractive to the audience. Adding to the beautiful art are the storylines, which combine a playful genre in cartoons, with the struggles of both teenage and adult themes. Code geass highlights all these aspects perfectly. With animation movies, they try to explore complex themes and then present them in a fun and simple manner.
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