The Ancient Greek civilization was accountable for the origin of Theater and evolving arts in that field. One of the most prominent play writers of this time was Aristophanes who was regarded as the best comic dramatist of his times. All his plays revolved around issues like morality, politics, along an abundance of literature. His storyline addressed the everyday life of the people of Athens. Following your Peloponnesian War Aristophanes was so deeply effected by the bloodshed of his fellow beings, that they wrote four plays revolving around it. One of the plays "Lysistrata" was the most prominent work of most, which was aimed to bring peace and harmony within the society but with a light note.
Following your World War II the whole world was shattered and inhabitants across the world baldy needed something that would relieve their mind of all the massive destruction and bloodshed. Individuals were so desperate to drift from your harsh reality that some sect of folks nicknamed as "Absurdists" gave birth to a different genre of theater known as the Theater of the Absurd. This term was brought into existence by Martin Esslin to mention the new kind of plays sprouting in Europe and America. The goal of such plays was to deviate peoples' mind, although the storyline had some preposterous elements a part of it. Some of the common "Absurdists" were Eug?ne Lonesco, Samuel Beckett, Jean Genet and Harold Pinter. Later on this kind of thinking lead to the progression of Philosophy of existentialism according to which more emphasis pays to individual existence and total freedom. But this philosophy has much wider spectrum and can't be described in few words.
Meta theaters are that classification of theaters, which blurred the space between the actors and the audience. The actors are clearly the dynamic part of the play however the onlookers, too, are expected to get participating in the proceedings from the play. Schemes are developed around the spur of the moment so its no more vivid to the audience what exactly is actual part of the storyline and what patches happen to be added. This practice was developed during the Elizabethan Era, which is additionally known as the Renaissance Period which is still popular in the modern times.
Richard Wagner was the brainchild behind the Theaters generally known as Gasamtkuntswerk or more commonly referred to as Total Fine art. These brands of theaters are known to have all the flavoring elements that one can think of within its radius. Drama, music, dances and Greek Theater extract work in harmony to bring out the essence in the story being enacted. Steven Berkoff took this concept a step further by introducing actors who may be characters and presented with regards to the theme at different times. Props were also accustomed to bring in more realism. With all these elements sometimes the plays reached a level of superficiality and exaggeration.
Jerzy Grotowski gave rise to another type of Theater, which was targeted, for people of the lower sectors in the society. In Poland, while working together with his troupe, Jerzy recognized the needs of the indegent people there and understood their lack of ability to shell out money for big theaters. These concepts got popular especially during the 1960s' and 70s'. In such theaters there wasn't a different stage of performing rather the performers and the audience occupied exactly the same space. Since rich people didn't finance these theaters there is a lack of props, detailed costumes, adequate lightning proper sets, and also other technical features. The performers were outstanding and vivid in an attempt to overcome the lack of good costumes. The actors were built to go through rigorous training involving months of practicing and rehearsing. Physical workout have also been a part of it. Many acting troupes and aspiring actors pass this method to gain popularity the more way. Grand Guignol is coined through the Theatre du Grand Guignol of Paris, France, is a theater class, which features a lot of gruesome violence. This term can be used till date to refer to bloodshed melodramas.
Following your World War II the whole world was shattered and inhabitants across the world baldy needed something that would relieve their mind of all the massive destruction and bloodshed. Individuals were so desperate to drift from your harsh reality that some sect of folks nicknamed as "Absurdists" gave birth to a different genre of theater known as the Theater of the Absurd. This term was brought into existence by Martin Esslin to mention the new kind of plays sprouting in Europe and America. The goal of such plays was to deviate peoples' mind, although the storyline had some preposterous elements a part of it. Some of the common "Absurdists" were Eug?ne Lonesco, Samuel Beckett, Jean Genet and Harold Pinter. Later on this kind of thinking lead to the progression of Philosophy of existentialism according to which more emphasis pays to individual existence and total freedom. But this philosophy has much wider spectrum and can't be described in few words.
Meta theaters are that classification of theaters, which blurred the space between the actors and the audience. The actors are clearly the dynamic part of the play however the onlookers, too, are expected to get participating in the proceedings from the play. Schemes are developed around the spur of the moment so its no more vivid to the audience what exactly is actual part of the storyline and what patches happen to be added. This practice was developed during the Elizabethan Era, which is additionally known as the Renaissance Period which is still popular in the modern times.
Richard Wagner was the brainchild behind the Theaters generally known as Gasamtkuntswerk or more commonly referred to as Total Fine art. These brands of theaters are known to have all the flavoring elements that one can think of within its radius. Drama, music, dances and Greek Theater extract work in harmony to bring out the essence in the story being enacted. Steven Berkoff took this concept a step further by introducing actors who may be characters and presented with regards to the theme at different times. Props were also accustomed to bring in more realism. With all these elements sometimes the plays reached a level of superficiality and exaggeration.
Jerzy Grotowski gave rise to another type of Theater, which was targeted, for people of the lower sectors in the society. In Poland, while working together with his troupe, Jerzy recognized the needs of the indegent people there and understood their lack of ability to shell out money for big theaters. These concepts got popular especially during the 1960s' and 70s'. In such theaters there wasn't a different stage of performing rather the performers and the audience occupied exactly the same space. Since rich people didn't finance these theaters there is a lack of props, detailed costumes, adequate lightning proper sets, and also other technical features. The performers were outstanding and vivid in an attempt to overcome the lack of good costumes. The actors were built to go through rigorous training involving months of practicing and rehearsing. Physical workout have also been a part of it. Many acting troupes and aspiring actors pass this method to gain popularity the more way. Grand Guignol is coined through the Theatre du Grand Guignol of Paris, France, is a theater class, which features a lot of gruesome violence. This term can be used till date to refer to bloodshed melodramas.
No comments:
Post a Comment