There is a science to creating great science fiction sound. There are even classes, degrees, schools and tutorials in which one can study this incredible genre and learn the art of applying science fiction music to various productions. There are a great number of past and present films, plays and television shows which use different sounds within the genre.
Having always been a popular genre, science fiction has forever had a place in theater. Theatrical radio shows such as the "War of the Worlds, " and others before the inception of television also used a wide variety of sound effects. While the coursework in this area is new, the actual use of various sounds as an accompaniment to various productions is not.
A good example of sound related to the genre used in television is the sound backdrops found in original "Star Trek, " episodes though there were also earlier shows such as "Lost and Space, " and others which preceded the infamous "Star Trek." As far as movies, one of the most dramatic soundtracks is that of "Star Wars, " in which a live orchestra provided the backdrop of sound.
While there are differences, it is not whether a soundtrack is live or recorded that makes the biggest difference when it comes to success. Rather, it is that the soundtrack provide a backdrop which the audience enjoys and that creates the right emotional reaction. A good soundtrack provides this realty by including a number of highs and lows. These highs and lows often create a response which equates the the fantasy, mysticism and suspense found in the entire spectrum referred to as science fiction.
Soundtracks need also provide dramatic highs and lows. If vocals are included, each song should simply accompany the action without telling a separate story. This is because if a the music has a story of its own, the audience can often get lost in the music and lose sight of the main story. As has been shown over time, with the right soundtrack, many science fiction movies and television shows have known great success.
Experience and recognition with relation to any musical artists performing on the soundtrack is also another important aspect to consider. So, when using various musical artists, it is often good to use recognizable artists and well known songs. This is because these music professionals and familiar song titles often have the ability to draw individuals to a theater almost as much as the movie description, actors, directors and producers.
When soundtracks for films, plays or television are related to stories for children, it is important to use material which is short, sweet and age appropriate. Children often have a much shorter attention span than adults so creating soundtracks which animated characters can dance and move it is often advised. Still, even with animation, it is good to maintain a balance of high and low points when it comes to the soundtrack as children often connect with the music as much as the story.
Regardless, it is important that any music or sound effects flow with the story line. It is also important that the designer use a number of different highs and lows to keep the audience in suspense and relaxed at the right moments during a production. After which, often creates the reality in which there are either as many soundtracks sold as movie tickets.
Having always been a popular genre, science fiction has forever had a place in theater. Theatrical radio shows such as the "War of the Worlds, " and others before the inception of television also used a wide variety of sound effects. While the coursework in this area is new, the actual use of various sounds as an accompaniment to various productions is not.
A good example of sound related to the genre used in television is the sound backdrops found in original "Star Trek, " episodes though there were also earlier shows such as "Lost and Space, " and others which preceded the infamous "Star Trek." As far as movies, one of the most dramatic soundtracks is that of "Star Wars, " in which a live orchestra provided the backdrop of sound.
While there are differences, it is not whether a soundtrack is live or recorded that makes the biggest difference when it comes to success. Rather, it is that the soundtrack provide a backdrop which the audience enjoys and that creates the right emotional reaction. A good soundtrack provides this realty by including a number of highs and lows. These highs and lows often create a response which equates the the fantasy, mysticism and suspense found in the entire spectrum referred to as science fiction.
Soundtracks need also provide dramatic highs and lows. If vocals are included, each song should simply accompany the action without telling a separate story. This is because if a the music has a story of its own, the audience can often get lost in the music and lose sight of the main story. As has been shown over time, with the right soundtrack, many science fiction movies and television shows have known great success.
Experience and recognition with relation to any musical artists performing on the soundtrack is also another important aspect to consider. So, when using various musical artists, it is often good to use recognizable artists and well known songs. This is because these music professionals and familiar song titles often have the ability to draw individuals to a theater almost as much as the movie description, actors, directors and producers.
When soundtracks for films, plays or television are related to stories for children, it is important to use material which is short, sweet and age appropriate. Children often have a much shorter attention span than adults so creating soundtracks which animated characters can dance and move it is often advised. Still, even with animation, it is good to maintain a balance of high and low points when it comes to the soundtrack as children often connect with the music as much as the story.
Regardless, it is important that any music or sound effects flow with the story line. It is also important that the designer use a number of different highs and lows to keep the audience in suspense and relaxed at the right moments during a production. After which, often creates the reality in which there are either as many soundtracks sold as movie tickets.
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