A lot of people dream of making their own films. With the technology involved becoming a lot cheaper it is now a lot easier for people to create their own work. The ease of access is countered by the fact that there is more material out there and available to view on a range of websites. This is why it is more important than ever for student filmmakers to work on the basics of developing both their skills and their careers.
The most important thing for someone wanting to get into any form of creative work is that it is hard. It is competitive and everyone thinks they have the best script or have the acting or directing talent that is equal or better than what Hollywood and the independent scene have to offer. The problem is that they may not necessarily have the experience or the skills necessary.
However with a bit of inventiveness and budgeting you would be surprised what you are capable of on a limited budget. How you get that budget depends on what is available in your local area. A good example of entrepreneurial inventiveness in this respect is the director Robert Rodriguez.
The truth is that the best directors are often passionate about film themselves. A good example was the French New Wave of the Sixties. Influential directors such as Jean Luc Goddard learned their craft by studying and critiquing other filmmakers before then using that knowledge to apply it to their own movies to create a distinct visual language that took those influences and created something new.
Ironically this would happen again in the Nineties when Quentin Tarantino would take the style of the French New Wave and fuse it with other influences to form his postmodern deconstruction of classic genres. This was often attributed to his days as a video library clerk. It was here that he was said to gain his now legendary obsession with a wide array of films.
It should be stated that not all students long to be Tarantino. Equally there are some who simply wish to work in film. The crucial thing for students in this case is to find extra work, runner work and anything else that allows them to develop experience.
This is crucial because theory alone is not enough. While it is important to study hard you have to think about what you do between semesters. Building up experience and working on your projects will give you a showreel that can then allow you to get more work.
There is also the issue for student filmmakers of what type of course to get. There is no course that can guarantee you work. However the best courses can allow you to develop your skills and in some cases the teachers may have connections that can give you possible work or at the very least improve your chances. Look online to find out more information and for more advice on how to improve your film making skills.
The most important thing for someone wanting to get into any form of creative work is that it is hard. It is competitive and everyone thinks they have the best script or have the acting or directing talent that is equal or better than what Hollywood and the independent scene have to offer. The problem is that they may not necessarily have the experience or the skills necessary.
However with a bit of inventiveness and budgeting you would be surprised what you are capable of on a limited budget. How you get that budget depends on what is available in your local area. A good example of entrepreneurial inventiveness in this respect is the director Robert Rodriguez.
The truth is that the best directors are often passionate about film themselves. A good example was the French New Wave of the Sixties. Influential directors such as Jean Luc Goddard learned their craft by studying and critiquing other filmmakers before then using that knowledge to apply it to their own movies to create a distinct visual language that took those influences and created something new.
Ironically this would happen again in the Nineties when Quentin Tarantino would take the style of the French New Wave and fuse it with other influences to form his postmodern deconstruction of classic genres. This was often attributed to his days as a video library clerk. It was here that he was said to gain his now legendary obsession with a wide array of films.
It should be stated that not all students long to be Tarantino. Equally there are some who simply wish to work in film. The crucial thing for students in this case is to find extra work, runner work and anything else that allows them to develop experience.
This is crucial because theory alone is not enough. While it is important to study hard you have to think about what you do between semesters. Building up experience and working on your projects will give you a showreel that can then allow you to get more work.
There is also the issue for student filmmakers of what type of course to get. There is no course that can guarantee you work. However the best courses can allow you to develop your skills and in some cases the teachers may have connections that can give you possible work or at the very least improve your chances. Look online to find out more information and for more advice on how to improve your film making skills.
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